{"id":18354,"date":"2024-10-21T08:17:45","date_gmt":"2024-10-21T06:17:45","guid":{"rendered":"https:\/\/www.enzo-und-ferdinand.de\/?p=18354"},"modified":"2025-02-12T18:46:52","modified_gmt":"2025-02-12T17:46:52","slug":"jean-tinguely-in-mailand","status":"publish","type":"post","link":"https:\/\/www.enzo-und-ferdinand.de\/index.php\/2024\/10\/21\/jean-tinguely-in-mailand\/","title":{"rendered":"Jean Tinguely in Mailand"},"content":{"rendered":"\n
\"\"
M\u00e9ta-Maxi, 1986 (Mercedes-Benz Art Collection)<\/figcaption><\/figure>\n\n\n\n

Die Stiftung \u201ePirelli HangarBicocca\u201c in der Via Chiese in Mailand zeigt in Zusammenarbeit mit dem Museum Tinguely in Basel eine umfassende Retrospektive des 1991 verstorbenen Schweizer K\u00fcnstlers. 40 Werke, die zwischen den 1950er und 1990er Jahren entstanden sind, f\u00fcllen die 5.000 Quadratmeter des Ausstellungs-Bereichs der Stiftung und reichen von seinen kinetischen Skulpturen bis zu seinen monumentalen Maschinen. Die Ausstellung l\u00e4uft vom 10. Oktober 2024 bis zum 2. Februar 2025 in Mailand.<\/p>\n\n\n\n

Spannend ist, wie der K\u00fcnstler Haushaltsgegenst\u00e4nde umfunktionierte. In Ballet des pauvres (1961) sind Metallglocken und T\u00f6pfe an Dr\u00e4hten aufgeh\u00e4ngt. Es gibt einen langen Tisch mit kleinen Objekten, die aus ausrangierten Materialien, Spielzeug und anderen Werkst\u00fccken hergestellt sind. Diese Skulpturen dieser \u201eMaschinenbar\u201c (1960 – 1985) werden mit Hilfe von Kn\u00f6pfen, die vor dem Werk angebracht sind, elektrisch bet\u00e4tigt. Andere Objekte sind etwa ein F\u00f6rderband, das Flaschen zerbricht, wie in der Installation \u201eRotozaza No. 2\u201c (1967), oder landwirtschaftliche Maschinen auf einem gro\u00dfen Eisensockel mit dem Namen \u201ePlateau agriculturel\u201c (1978).<\/p>\n\n\n\n

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Plateau agriculturel, 1978 (Museum Tinguely, Basel; Donation Micheline und Claude Renard)<\/figcaption><\/figure>\n\n\n\n

\u201eCercle et carr\u00e9-\u00e9clat\u00e9s\u201c (1981) und \u201eM\u00e9ta-Maxi\u201c (1986) spielen mit dem Konzept eines Flie\u00dfbandes und seiner Ger\u00e4usche aus dem Konzert von R\u00e4dern, Riemen, Elektromotoren und mechanischen Komponenten. Das letzte Werk, das er mit seiner langj\u00e4hrigen Lebensgef\u00e4hrtin Niki de Saint Phalle geschaffen hat, tr\u00e4gt den Namen \u201eLe Champignon magique\u201c (1989) und ist eine Skulptur in Form eines Pilzstiels, der in zwei Teile geteilt ist: Jean Tinguely schafft die Bewegung und Niki de Saint Phalle die Farbe. Daneben gibt es kleine von mechanischen Motoren angetriebene Maschinen, die etwa mit farbigen Filzstiften abstrakte Zeichnungen auf Papier anfertigen oder aber eine zehn Meter hohe, phallusf\u00f6rmige Struktur mit dem Namen \u201eSelbstmord der Maschine\u201c von Tinguely, die eine halbe Stunde lang Feuerwerk in den Nachthimmel feuert.<\/p>\n\n\n\n

In einem Interview aus dem j\u00e4hr 1982 bezeichnete sich Jean Tinguely als Bewegungsk\u00fcnstler, dessen Werke sich auf Objekte und deren Bewegung konzentrieren. Seine Experimente mit Alltagsgegenst\u00e4nden machten ihn zu einem gro\u00dfen Pionierk\u00fcnstler des 20. Jahrhunderts. Er erforschte Maschinen, ihre Funktionen, ihre Ger\u00e4usche und Kl\u00e4nge. Er fand Gegenst\u00e4nde, Zahnr\u00e4der und Werkzeuge und schwei\u00dfte sie zusammen, um skulpturale Arbeitsmaschinen zu schaffen, die mit Motoren ausgestattet sind.<\/p>\n\n\n\n

\n
\"\"
Vive la muerta, 1963 (Private collection)<\/figcaption><\/figure>\n\n\n\n
\"\"
L\u2019Odalisque, 1989 (Bischofberger Collection)<\/figcaption><\/figure>\n\n\n\n
\"\"
Sculpture m\u00e9ta-m\u00e9canique automobile, 1954 (Collection Centre Pompidou, Paris)<\/figcaption><\/figure>\n\n\n\n
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Merc\u00e9d\u00e8s, 1991 (Private collection)<\/figcaption><\/figure>\n\n\n\n
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Philosophers series, 1988-89 (Museum Tinguely, Basel; Donation Niki de Saint Phalle)<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

https:\/\/pirellihangarbicocca.org<\/a><\/p>\n\n\n\n

Aufmacher: Pitstop, 1984 (Museum Tinguely, Basel; Donation Niki de Saint Phalle) ( Fotos: Agostino Osio (Pirelli HangarBicocca)\/Text: Rainer Ro\u00dfbach<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Die Stiftung \u201ePirelli HangarBicocca\u201c in der Via Chiese in Mailand zeigt in Zusammenarbeit mit dem Museum Tinguely in Basel eine umfassende Retrospektive des 1991 verstorbenen Schweizer K\u00fcnstlers. 40 Werke, die zwischen den 1950er und 1990er Jahren entstanden sind, f\u00fcllen die 5.000 Quadratmeter des Ausstellungs-Bereichs der Stiftung und reichen von seinen kinetischen Skulpturen bis zu seinen monumentalen Maschinen. Die Ausstellung l\u00e4uft vom 10. Oktober 2024 bis zum 2. Februar 2025 in Mailand.<\/p>\n","protected":false},"author":1,"featured_media":18367,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_crdt_document":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[548],"tags":[616,767],"class_list":["post-18354","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-automobile-kunst-plastic-porsche","tag-automobile-kunst","tag-kunst"],"yoast_head":"\nJean Tinguely in Mailand<\/title>\n<meta name=\"description\" content=\"ean Tinguely Pirelli HangarBicocca Mailand Museum Tinguely Basel kinetische Skulpturen Maschinenbar Plateau agriculturel Elektromotoren Niki de Saint Phalle Bewegungsk\u00fcnstler Alltagsgegenst\u00e4nde skulpturale Arbeitsmaschinen Rainer Ro\u00dfbach Rainer Rossbach enzo-und-ferdinand enzo&ferdinand\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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